About

I am Ana of Objet d’anon. I am, not anonymous exactly, but remaining slightly behind.

This work begins in small moments:
 a shape noticed, a silence held, a way the natural world arranges itself without effort.
 Over time, these impressions gather. They become forms and images, quiet and human, playing upon themselves.

My biography is not a series of external events, but an internal timeline of becoming:

A childhood of looking closely. 
Years of carrying images without knowing quite how to proceed. 
A slow understanding that simple things — weight, balance, stillness — can speak. 
A return to making, tentative at first, then sure. 
And now, a practice shaped by the geometries of nature, by calmness and solitude, and by a humor that surfaces in small ways — a tilt, a gesture, a small smile.

The work moves between sculpture and painting, figure and abstraction.
 Each piece shares a muted palette, a quiet pulse, a sense of being found rather than forced.
 Some hold a softness that borders on playful; others carry a wryness that appears only when you linger.

They offer pauses: brief shelters, moments of noticing, of solitude and longing. 
Objects where memory and tenderness share the same space, where softness carries a sharp edge.
 Paintings as semaphores, hazy maps of something not quite remembered.

Neither art nor artifice, just a contented artlessness that follows its urges and whims. 
A place for these forms and images to exist, as they so insist on doing.